-The Second Hometown of Peking Opera- is keen to inherit Chinese quintessence and its disciples practice -Liyuan Opera- diligently

In an exclusive interview, we spoke with several local figures involved in the vibrant world of Peking opera in Jilin City, often referred to as the “Second Homeland of Peking Opera.” Renowned for its rich cultural heritage, Jilin City celebrates this traditional art form through various initiatives aimed at fostering interest among the younger generation.

Meet 8-year-old Feng Hongjia, the youngest member of a local Peking opera troupe. Despite his small stature, he has gained considerable recognition in the local community of Peking opera enthusiasts. Feng, a student at Dongshan Experimental School, has been learning to perform with the signature facial makeup for nearly four years. Transitioning from wobbling in his opera shoes to confidently portraying the role of Judge Bao on stage, he has received plenty of applause for his performances.

Jilin City’s legacy in Peking opera dates back to the late Qing Dynasty when a prominent merchant, Niu Zihou, founded the Xiliancheng Peking Opera School. This institution trained several luminaries, including Mei Lanfang and Ma Lianliang, who became giants in the world of Chinese opera.

This year marks the 120th anniversary of the Xiliancheng Peking Opera School, which has inspired the city to host numerous events promoting the art form. These include competitions for amateur enthusiasts, dedicated Peking opera parks, themed buses, and the establishment of a Peking Opera Heritage Protection Center.

Zhang Wei, the director of the Jilin City Peking Opera Heritage Protection Center, shared insights into their ongoing efforts to embed Peking opera into local schools. The center is actively partnering with various educational institutions to develop Peking opera clubs. Professional actors serve as instructors, providing students with lessons on opera fundamentals, character movements, and even makeup application to cultivate their artistic skills.

Feng is thrilled about these developments, as he has made new friends who share his passion for opera. Like the students who joined the Xiliancheng school 120 years ago, he hopes to perform on larger stages someday, showcasing authentic Peking opera artistry.

12-year-old Zhang Yuxuan, another aspiring performer, has been studying Peking opera for two years. “Even though I’m a boy, I sing the role of Qingyi,” he stated confidently. Zhang has a strong voice suited for this character and practices daily, ensuring that his vocal cords remain open during his voice change.

Zhang feels deeply connected to the legacy of the Xiliancheng School and frequently visits the newly constructed Xiliancheng Grand Theatre, dreaming of one day stepping onto its stage to perform.

Zhao Shuang, the vice-principal of Dongshan Experimental School, highlighted the growing interest in Peking opera, with over a hundred students now participating in the school’s opera club. “Many children want to learn ‘singing, recitation, acting, and martial arts’ systematically, hoping to journey further down the path of Peking opera,” Zhao explained.

To deliver high-quality Peking opera lessons, professional actress Zhang Zhaojun dedicates herself to lesson preparation after her practice sessions. In class, her rendition of the old female roles is articulate and powerful, reflecting her commitment to instilling an appreciation for this national treasure in the younger generation.