Dance drama -Half of the Sea- premieres in Beijing to commemorate patriotic overseas Chinese leader Tan Kah Kee
This year marks the 150th anniversary of the birth of national leader of overseas Chinese, Chen Jiageng. Recently, the dance drama “Half the Sea,” based on Mr. Chen’s life, premiered at the National Opera House in Beijing. The production vividly conveys the deep emotional ties that overseas Chinese have to their homeland and families.
“With aspirations of a man, brotherly righteousness, the tides of the sea, and love for the nation,” “Half the Sea” centers around the theme of “investing in education.” Through a rich artistic portrayal and innovative expression, it tells the story of a group of overseas Chinese business leaders who come together for a greater purpose in the 1930s.
On stage, the dancers deliver smooth and dynamic movements, creating a vivid tapestry of elements like harbors, fishing boats, and fishing villages through artistic interpretation, all reflecting the unique cultural flavors of Minnan and the local ambiance of Southeast Asia. Sixteen suspended panels above the stage showcase a range of changing scenes—from hues of sunset over the homeland to origami-like fishing boats, and a rotating conference table over ten meters long. The modern stage design immerses the audience in a turbulent era.
The show masterfully blends contemporary dance with traditional Minnan elements and the stylistic traits of the Republic of China era. It showcases the strong and rhythmic movements of Minnan dance while integrating the fluidity and variability of modern dance. The dancers, dressed in suits, top hats, and wielding canes, create a powerful presence in group scenes, yet maintain an airiness in solo performances. Several captivating duets showcase both strength and grace, powerfully conveying the emotions and themes of the dance, providing an impactful visual experience for the audience.
“The title ‘Half the Sea’ symbolizes the separation of overseas Chinese from their families back home as they venture to Southeast Asia. Yet, despite being integrated into local life, they harbor a deep longing and strong identity connected to their homeland,” director Lin Chen explained.
The bond between the characters Hai Geng and Hai Xian poignantly reflects Mr. Chen and the overseas Chinese community’s dedication to educational development. They selflessly committed their resources to establish schools and support students. The spirit of Chen Jiageng serves as a unifying thread that connects Hai Geng, Hai Xian, and all those committed to the cause of education. As the drama concludes with scene changes highlighting elements like “Women’s Academy” and “Humanities Academy,” it illustrates how the spirit of Jiageng continues to be passed down through generations.
Following its premiere, the production is set to be refined and will embark on a national and international tour.
